![]() ![]() The invite-only benefit, co-chaired by the long-time Vogue editor-in-chief Anna Wintour, raised more than $15 million for the Costume Institute in 2019, according to the New York Times. The Met’s director, Max Hollein, called Lagerfeld “one of the most captivating, prolific, and recognizable forces in fashion and culture, known as much for his extraordinary designs and tireless creative output as for his legendary persona.”įashion aficionados can expect to see many of Lagerfeld’s signature designs from his years at Balmain, Patou, Chanel, Chloé and Fendi in the show-as well as on the red carpet at the Met Gala, the star-studded annual fundraiser for the Costume Institute, that will take place on May 1, 2023, before the show’s public opening.Īlthough the event dates back to 1948, it was not until the 1970s that it started to become linked to an accompanying exhibition, with recent themes including “Camp: Notes on Fashion” in 2019, and others based on specific fashion houses, including Christian Dior and Comme des Garçons founder Rei Kawakubo. “There was always a representation of Karl on his runway.” “He was the Hitchcock of fashion,” Bolton told the Guardian. In addition to organizing the show, Bolton will also be authoring an accompanying book on the late designer, which he said will be more like an “essay” about Lagerfeld’s contribution to fashion. ![]() And (his staff) knew exactly what this line meant or what that dot meant, and they could decode it.” “And when I saw the drawings, I thought, ‘These are so charming, so whimsical, so impressionistic.’ But what I didn’t realize was that they contained really precise information - about a shoulder line or the length of a sleeve. “Every single design in his life was a sketch,” he said. Shortly after the announcement, the Institute’s head curator, Andrew Bolton, told CNN that he was fascinated by Lagerfeld’s drawings. Known as a prolific draftsman, Lagerfeld would work out his designs on paper before picking up a needle. “Karl Lagerfeld: A Line of Beauty,” will bring together around 150 pieces of clothing as well as his sketches, to “spotlight the German-born designer’s unique working methodology,” according to the museum. #Dress sketch fashion free#“With the appliqué beadwork and handiwork, it was the most labor-intensive dress of all the costumes.One of the fashion industry’s great designers, Karl Lagerfeld, will be celebrated by the Metropolitan Museum of Art next year with a show at the Costume Institute. Tailoring dress of any style and size for you according to your sketches ONEtwoONECo (21) 5.00 FREE shipping Wedding Dress Sketched in Pencil with Slight Watercolor Wash juliaellendesign 125.00 Wedding Dress Sketch: Custom Print emilyjudithart 50. “I call it the juicy dress as we built out de Armas’ body for that dress,” says Johnson. Made with netting, silk chiffon and Austrian hand-beaded crystals, the risqué 1920s-style flesh-colored dress features a heart-shaped cutout on the derriere (which gave the censors fits in 1959). Perhaps the re-creation of designer Orry-Kelly’s gold lamé number in Some Like It Hot is the most provocative. She also favored high-waisted jeans, as seen in her last film, The Misfits (1961).įor onscreen Marilyn, Johnson looked to original sketches by the star’s favorite costume designer, William Travilla, to duplicate the strapless shocking-pink satin gown with a large bow in Gentlemen Prefer Blondes (1953) and iconic white georgette crepe halter dress in The Seven Year Itch (1955). She had a relationship with Anne Klein and borrowed clothes from her that became that beautiful, elegant, almost French minimalist beatnik way of dressing in New York City,” says the designer. ![]() ![]() “Marilyn joined the Actors Studio and really wanted to be taken seriously as an intellectual. Off-camera, the actress’ wardrobe consists of her iconic black turtlenecks and capri pants (then known as pedal pushers). The costumes were a study in contrasts: There was the private, day-to-day Norma Jeane Mortenson (her given name) and the Hollywood sex symbol Marilyn. What is amazing is the film gets into her inner psyche, and you will learn more than you thought you knew.” “I thought I knew her, but when I read the script, the book, and started the research, I discovered a whole new side of her. “I wanted to get into the day-to-day, off-duty Norma Jeane and explore what felt the most authentic to her,” says the designer. Taking her cues from Joyce Carol Oates’ novel of the same name and Dominik’s script, Johnson’s goal was to convey the inner workings of the iconic screen siren (played by Ana de Armas) through the costumes. For an offscreen Monroe look, Jennifer Johnson remade capri pants found at L.A.’s Palace Costume. ![]()
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